All that Hollywood Allows

Author: Jackie Byars
Publisher: Routledge
ISBN: 1134910819
Format: PDF, Kindle
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All that Hollywood Allows explores the representation of gender in popular Hollywood melodramas of the 1950s. Both a work of feminist film criticism and theory and an analysis of popular culture, this provocative book examines from a cultural studies perspective top-grossing film melodramas, such as A Streetcar Named Desire, From Here to Eternity, East of Eden, Imitation of Life and Picnic. Stereotypically viewed as a complacent and idyllic time, the 1950s were actually a time of dislocation and great social change. Jackie Byars argues that mass media texts of the period, especially films, provide evidence of society's consuming preoccupation with the domestic sphere - the nuclear family and its values - and she shows how Hollywood melodramas interpreted and extended societal debates concerning family structure, sexual divisions of labour, and gender roles. Her readings of these films assess a variety of critical methodologies and approaches to textual analysis, some central to feminist film studies and some previously bypassed by scholars in the field.

The Wages of Sin

Author: Lea Jacobs
Publisher: Univ of California Press
ISBN: 9780520207905
Format: PDF, ePub, Mobi
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The story of the fallen woman was a staple of film melodrama in the late 1920s and 1930s. In traditional plots, a woman commits a sexual transgression, usually adultery. She becomes an outcast, often a prostitute, suffering humiliations that culminate in her death. In more modern variants, the heroine is a stereotypical "kept woman," "gold digger," or wisecracking shopgirl who uses men to become rich. In The Wages of Sin, Lea Jacobs uses the fallen woman film, which served as a focal point for public criticism of the film industry, to explore Hollywood's system of self-censorship and the evolution of the rules governing representations of sexuality. Drawing on the extensive case files of the Motion Picture Producers and Distributors of America (MPPDA), the industry trade association responsible for censorship, Jacobs focuses on six films. Her close analyses of The Easiest Way, Baby Face, Blonde Venus, Anna Karenina, Kitty Foyle, and Stella Dallas reveal the ideology of self-regulation at work and the social constraints affecting the film industry.

Women Labor Activists in the Movies

Author: Jennifer L. Borda
Publisher: McFarland
ISBN: 0786448415
Format: PDF, Mobi
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Some of the most indelible images of women in recent American film have been of working women fighting for labor reform or to expose corporate corruption. This critical text explores films with female labor activists as main protagonists, illuminating issues of gender and class while depicting the challenges of working class women. Films covered include Salt of the Earth, Pajama Game, Union Maids, With Babies and Banners, Norma Rae, Silkwood, and Live Nude Girls Unite! Through comparative analysis, the text examines the responses of these films to the labor and feminist movements of the last half century, and how American cinema has articulated notions of disempowerment, ambivalence and, at times, the resistance of both women and the working class at large.

Darren Aronofsky s Films and the Fragility of Hope

Author: Jadranka Skorin-Kapov
Publisher: Bloomsbury Publishing USA
ISBN: 1501306979
Format: PDF, Kindle
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The first sustained analysis of the current oeuvre of film director Darren Aronofsky, examining the many intersections between his filmic work and his philosophical positions--

Melodrama

Author: John Mercer
Publisher: Columbia University Press
ISBN: 0231503067
Format: PDF, Docs
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Melodrama: Genre, Style and Sensibility is designed as an accessible overview of one of the most popular genres at undergraduate Film Studies. The book identifies three distinct but connected concepts through which it is possible to make sense of melodrama; either as a genre, originating in European theatre of the 18th and 19th century, as a specific cinematic style, epitomised by the work of Douglas Sirk or as a sensibility that emerges in the context of specific texts, speaking to and reflecting the desires, concerns and anxieties of audiences. Films discussed include All That Heaven Allows, Safe, Fear Eats the Soul, Black Narcissus, Suddenly Last Summer and Rebel Without a Cause. Each chapter includes overviews of key essays, analyses of significant and widely studied films and includes an annotated reading list.

Home in Hollywood

Author: Elisabeth Bronfen
Publisher: Columbia University Press
ISBN: 0231529422
Format: PDF, Kindle
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Who can forget Dorothy’s quest for the great and powerful Oz as she tried to return to her beloved Kansas? She thought she needed a wizard’s magic, only to discover that home—and the power to get there—had been with her all along. This engaging and provocative book proposes that Hollywood has created an imaginary cinematic geography filled with people and places we recognize and to which we are irresistibly drawn. Each viewing of a film stirs, in a very real and charismatic way, feelings of home, and the comfort of returning to films like familiar haunts is at the core of our nostalgic desire. Leading us on a journey through American film, Elisabeth Bronfen examines the different ways home is constructed in the development of cinematic narrative. Each chapter includes a close reading of such classic films as Fleming’s The Wizard of Oz, Sirk’s Imitation of Life, Burton’s Batman Returns, Hitchcock’s Rebecca, Ford’s The Searchers, and Sayles’s Lone Star.

Good Girls and Wicked Witches

Author: Amy M. Davis
Publisher: Indiana University Press
ISBN: 0861969014
Format: PDF, Docs
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In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found.

Boys Don t Cry

Author: Milette Shamir
Publisher: Columbia University Press
ISBN: 0231506341
Format: PDF, ePub, Docs
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Twenty first Century Motherhood

Author: Andrea O'Reilly
Publisher: Columbia University Press
ISBN: 0231520476
Format: PDF, ePub
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For more than two decades, the study of motherhood has focused on three main categories: motherhood as institution, motherhood as experience, and motherhood as identity or subjectivity. While this work has been groundbreaking, it fails to account for motherhood in the twenty-first century, which has been transformed by increasing agency, along with immense social, scientific, and technological changes. A pioneer of modern motherhood studies, Andrea O'Reilly explores motherhood's representation and practice today. Her book considers developments that were unimaginable even a decade ago-the Internet, interracial surrogacy, raising transchildren, male mothering, intensive mothering, queer parenting, species-altering applications of new biotechnologies, and mothering in the post-9/11 era. Her work pulls together a range of disciplines and diverse themes in motherhood studies, confronting the effects of globalization, HIV/AIDS, welfare reform, political mothers, third wave feminism, and the evolving motherhood movement. O'Reilly incorporates Chicana, African-American, Canadian, Muslim, queer, low-income, trans, and lesbian perspectives. Her writing invites dialogue and debate so that readers can engage with these issues while also learning from them.

A Feeling of Belonging

Author: Shirley Jennifer Lim
Publisher: NYU Press
ISBN: 0814751938
Format: PDF, Kindle
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When we imagine the activities of Asian American women in the mid-twentieth century, our first thoughts are not of skiing, beauty pageants, magazine reading, and sororities. Yet, Shirley Jennifer Lim argues, these are precisely the sorts of leisure practices many second generation Chinese, Filipina, and Japanese American women engaged in during this time. In A Feeling of Belonging, Lim highlights the cultural activities of young, predominantly unmarried Asian American women from 1930 to 1960. This period marks a crucial generation—the first in which American-born Asians formed a critical mass and began to make their presence felt in the United States. Though they were distinguished from previous generations by their American citizenship, it was only through these seemingly mundane “American”activities that they were able to overcome two-dimensional stereotypes of themselves as kimono-clad “Orientals.” Lim traces the diverse ways in which these young women sought claim to cultural citizenship, exploring such topics as the nation's first Asian American sorority, Chi Alpha Δ the cultural work of Chinese American actress Anna May Wong; Asian American youth culture and beauty pageants; and the achievement of fame of three foreign-born Asian women in the late 1950s. By wearing poodle skirts, going to the beach, and producing magazines, she argues, they asserted not just their American-ness, but their humanity: a feeling of belonging.