Archaeology at the Rev John Landrum Stoneware Kiln Site

Author: Carl Steen
Publisher:
ISBN: 9781539966432
Format: PDF, Docs
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This is a report on research at 38AK497, the Rev. John Landrum Stoneware Kiln. This site was in operation between about 1810 and 1847. It is believed to be the site of early experimentation with fine wares as we as with alkaline glazed stoneware. Included are discussions of the local environmental and cultural history, excavations conducted in 1987 and 2011-2014, and analysis of the artifacts collected. It is extensively illustrated with maps, field photos and artifact photos. The latter focus on diagnostic elements such as rims, handles, decorations and marks.

Where Is All My Relation

Author: Michael A. Chaney
Publisher: Oxford University Press
ISBN: 0199390215
Format: PDF, Mobi
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Where Is All My Relation? presents the first sustained academic discussion of the poetry, pottery, and culture of David Drake, an antebellum slave who distinguished himself by composing verse on the ceramics he produced in the years leading up to the Civil War. During the 1830s, 40s, and 50s, he incised couplets and signatures (a singular "Dave") onto the incredibly large storage vessels that he made. In fact, his stoneware pots and jars are among the largest made in North America during the antebellum era, and craft enthusiasts and appraisers are still proclaiming their precision and ambitious volume. Rich with biblical allusions, historical facts, and personal opinions, his art provides unique insights into the lives of slaves, craftsmen, and the culture of the American South in the first half of the nineteenth century. The essays here engage with the historical context and major issues that Drake's work provokes, among them: prohibitions against slave literacy; Drake's privileged status compared to other slaves at the time; the interpretive status of his material craft objects; the influence of contemporary African American poet George Moses Horton; and Drake's ability to sell his pottery despite the fact that slaves were not officially permitted to participate in a cash economy. Featuring essays by literary critics, art-historians, archaeologists, and curators, Where Is All My Relation? provides a window into the world of nineteenth century material culture and expands our traditional understanding of the slave-narrative genre.

Great Noble Jar

Author: Cinda K. Baldwin
Publisher: University of Georgia Press
ISBN: 0820346160
Format: PDF, Docs
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First published in 1993, this was the first authoritative study of South Carolina stoneware and its history, including he methods used to throw, glaze, decorate, and fire the vessels. Illustrated with nearly two hundred photographs (including fifteen color plates), maps, and drawings, plus an index of potters.

The Routledge History of the American South

Author: Maggi M. Morehouse
Publisher: Routledge
ISBN: 1317665341
Format: PDF, ePub, Mobi
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The Routledge History of the American South looks at the major themes that have developed in the interdisciplinary field of Southern Studies. With fifteen original essays from experts in their respective fields, the handbook addresses such diverse topics as southern linguistics, music (secular and non-secular), gender, food, and history and memory. The chapters present focused historiographical analyses that, taken together, offer a clear sense of the evolution and contours of Southern Studies. This volume is valuable both as a dynamic introduction to Southern Studies and as an entry point into more recent research for those already familiar with the subfield.

Catawba Indian Pottery

Author: Thomas J. Blumer
Publisher: University of Alabama Press
ISBN: 0817350616
Format: PDF
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A comprehensive study that traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present.

Alabama Folk Pottery

Author: Joey Brackner
Publisher: University Alabama Press
ISBN: 9780817315092
Format: PDF, Docs
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Celebrating the people, techniques, and artistry of a traditional craft. Based on 20 years’ research and experience with potters and their wares, folklorist Joey Brackner presents a definitive, comprehensive survey of folk potters and the folk pottery tradition in Alabama from the early historic period to the present. Illustrated with hundreds of color and black-and-white photographs, the book examines much admired and sought-after ceramics (such as crocks, face jugs, bowls, churns, and garden pottery) appreciated the world over for their originality, beauty, and utility. The book’s publication coincides with a major exhibition of Alabama folk pottery curated by Brackner and set to open at the Birmingham Museum of Art September 30, 2006. This volume places historic Alabama pottery making into a national and international context and describes the technologies that distinguish Alabama potters from the rest of the southeast. It explains how a blending and borrowing among cultural groups that settled the state nurtured its rich regional traditions. In addition to providing a detailed discussion of pottery types, clays, glazes, slips, and firing methods, Alabama Folk Pottery presents a geographic survey of the state’s pottery regions with a comprehensive list of Alabama folk potters, historic and contemporary—a valuable resource for collectors, scholars, and curators. Most important, in the pages and photographs of Alabama Folk Pottery, Brackner introduces—largely through their own words—the dynamic communities and families of Alabama potters who have carefully and proudly passed on their methods and styles from generation to generation. As Mobile archaeologist Greg Waselkov declares, “Alabama Folk Pottery reveals the humanity behind the artistry and the technical sophistication of this historic craft. Starting with magnificent ceramic churns, jugs, braziers, and grave markers found today largely in museums and private collections, this book pieces together the story of the talented men and women who have transformed Alabama clay into objects of great functionality, beauty, and personal expression.” * Recipient of the Anne B. and James B. McMillan Manuscript Prize Joey Brackner is Director of the Alabama Center for Traditional Culture, a division of the Alabama State Council on the Arts in Montgomery.

Carolina Clay

Author: Leonard Todd
Publisher: W. W. Norton & Company
ISBN: 9780393058567
Format: PDF, ePub, Docs
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Traces the story of a slave known only as Dave, a singular pottery artist of the nineteenth century, in an account that describes Dave's bold decision to reveal his literacy by signing and inscribing poetry on many of his works.