Art in Theory 1900 2000

Author: Charles Harrison
Publisher: Blackwell Publishing
ISBN: 9780631227083
Format: PDF, Mobi
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These 300 texts provide a vivid introduction to the history of art between 1900 and 2000. Major themes considered include: concepts of genius and originality, modes of landscape painting, the question of Modernity, and the aesthetics of photography.

Art in Theory 1815 1900

Author: Charles Harrison
Publisher: Wiley-Blackwell
ISBN: 9780631200666
Format: PDF, ePub, Docs
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Art in Theory 1815-1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

Art in Theory 1648 1815

Author: Charles Harrison
Publisher: Wiley-Blackwell
ISBN: 9780631200642
Format: PDF, Docs
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Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, Art in Theory (1815-1900) and Art in Theory (1900-1990), its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period. Harrison, Wood and Gaiger have collected writing by artists, critics, philosophers, literary figures and administrators of the arts, some reprinted in their entirety, others excerpted from longer works. A wealth of material from French, German, Italian, Spanish, Dutch and Latin sources is also provided, including many new translations. Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and color, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided. For more details of our book and journal list in Art, visit http://www.blackwellpublishing.com/arttheory

Vom Kunstwerden und Kunstsein Wandlungsprozesse von Kunstverst ndnis und Kunstrezeption

Author: Heide Marie Herstad
Publisher: Diplomica Verlag
ISBN: 3961465134
Format: PDF, Kindle
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Kunst ist eine Interaktion zwischen dem Menschen in seinem individuellen Sein, einem manifesten, flüchtigen und/oder eingebildeten Gegenstand und den Fremdeinwirkungen und Manipulationen der Umwelt. Dieses Thema behandelt die Autorin in vier Artikeln: Erstens diskutiert sie das Ineinander-Filzen von Kunst als Identität, als ästhetischem und musikalischem Ausdruck sowie als Marktinteresse und Politik. Zweitens diskutiert sie die Kunst im politischen Kontext. Kunst kann als strukturelles, visuelles, rhythmisches und akustisches Erlebnis zur Verführung, Manipulation und Hypnose der Menschen ge- und missbraucht werden. Drittens betrachtet sie Kunst im Kontext von Wirklichkeitswandlungen. Dieser Artikel konzentriert sich auf die theoretische Kunstdebatte und auf die Vermarktung der Kunst. Denn wenn Kunst nach dem Börsenwert definiert wird, wird die gesamte Kunstdebatte null und nichtig. Auf dem Markt kann alles über einen Leisten geschlagen werden. Hier gibt es keine Abgrenzungen zwischen dem Schönen, Banalen, Absurden, Grotesken, Phantastischen und der Fiktion. Kunst als reiner Marktwert wird in sich selber absurd. Das ist das Ende der Kunst. Ist das das Ende der Kunst? Kunst wurde im Laufe der Jahrtausende immer wieder zu Grabe getragen. Kunst als Teil des Lebens und einer Lebensvorstellung ist immer noch lebendig. Das ist das Thema des vierten Artikels.

The Visual Music Film

Author: Aimee Mollaghan
Publisher: Springer
ISBN: 1137492821
Format: PDF, ePub, Mobi
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Adopting an interdisciplinary approach, The Visual Music Film explores the concept and expression of musicality in the visual music film, in which visual presentations are given musical attributes such as rhythmical form, structure and harmony.

The Concept of the Animal and Modern Theories of Art

Author: Roni Grén
Publisher: Routledge
ISBN: 1351671723
Format: PDF, ePub, Mobi
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This book examines the importance of the animal in modern art theory, using classic texts of modern aesthetics and texts written by modern artists to explore the influence of the human-animal relationship on nineteenth and twentieth century artists and art theorists. The book is unique due to its focus on the concept of the animal, rather than on images of animals, and it aims towards a theoretical account of the connections between the notions of art and animality in the modern age. Roni Grén’s book spans various disciplines, such as art theory, art history, animal studies, modernism, postmodernism, posthumanism, philosophy, and aesthetics.

Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit

Author: Walter Benjamin
Publisher: Suhrkamp Verlag
ISBN: 3518734059
Format: PDF, ePub, Mobi
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Walter Benjamin beschreibt in dem Aufsatz Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit die geschichtlichen, sozialen und ästhetischen Prozesse, die mit der technischen Reproduzierbarkeit des Kunstwerkes zusammenhängen. In die Reihe der kunstsoziologischen Arbeiten Benjamins gehören auch die beiden hier zum ersten Mal in Buchform veröffentlichten Texte: Kleine Geschichte der Photographie (1931) und Eduard Fuchs, der Sammler und der Historiker (1937). Sie erhärten Benjamins Einsichten am Einzelfall.

A Companion to Contemporary Art Since 1945

Author: Amelia Jones
Publisher: John Wiley & Sons
ISBN: 9781405152358
Format: PDF, ePub, Docs
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A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.

Fifty Key Texts in Art History

Author: Diana Newall
Publisher: Routledge
ISBN: 1136493069
Format: PDF, ePub, Mobi
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Fifty Key Texts in Art History is an anthology of critical commentaries selected from the classical period to the late modern. It explores some of the central and emerging themes, issues and debates within Art History as an increasingly expansive and globalised discipline. It features an international range of contributors , including art historians, artists, curators and gallerists. Arranged chronologically, each entry includes a bibliography for further reading and a key word index for easy reference. Text selections range across issues including artistic value, cultural identity, modernism, gender, psychoanalysis, photographic theory, poststructuralism and postcolonialism. Rozsika Parker and Griselda Pollock Old Mistresses, Women, Art & Ideology (1981) Victor Burgin’s The End of Art Theory: Criticism and Postmodernity (1986) Homi Bhabha The Location of Culture: Hybridity, Liminal Spaces and Borders (1994) Geeta Kapur When was Modernism in Indian Art? (1995) Judith Butler's Gender Trouble (1999) Georges Didi Huberman Confronting Images. Questioning the Ends of a Certain History of Art (2004)