Creating Comics as Journalism Memoir and Nonfiction

Author: Randy Duncan
Publisher: Routledge
ISBN: 1317913191
Format: PDF, Kindle
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This book provides student journalists, artists, designers, creative writers and web producers with the tools and techniques they need to tell nonfiction stories visually and graphically. Weaving together history, theory, and practical advice, seasoned nonfiction comics professors and scholars Randy Duncan, Michael Ray Taylor and David Stoddard present a hands-on approach to teach readers from a range of backgrounds how to develop and create a graphic nonfiction story from start to finish. The book offers guidance on: -how to find stories and make use of appropriate facts and visuals; -nonfiction narrative techniques; -artist's tools and techniques; -print, digital, and multimedia production; -legal and ethical considerations. Interviews with well-known nonfiction comics creators and editors discuss best practices and offer readers inspiration to begin creating their own work, and exercises at the end of each chapter encourage students to hone their skills.

Consuming Katrina

Author: Kate Parker Horigan
Publisher: Univ. Press of Mississippi
ISBN: 1496817893
Format: PDF, Mobi
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When and under what circumstances are disaster survivors able to speak for themselves in the public arena? In Consuming Katrina: Public Disaster and Personal Narrative, author Kate Parker Horigan shows how the public understands and remembers large-scale disasters like Hurricane Katrina, outlining which stories are remembered and why, as well as the impact on public memory and the survivors themselves. Horigan discusses unique contexts in which personal narratives about the storm are shared, including interviews with survivors, Dave Eggers's Zeitoun, Josh Neufeld's A.D.: New Orleans After the Deluge, Tia Lessin and Carl Deal's Trouble the Water, and public commemoration during Hurricane Katrina's tenth anniversary in New Orleans. In each case, survivors initially present themselves in specific ways, counteracting negative stereotypes that characterize their communities. However, when adapted for public presentation, their stories get reduced back to those stereotypes. As a result, people affected by Katrina continue to be seen in limited terms, as either undeserving or incapable of managing recovery. This project is rooted in Horigan's experiences living in New Orleans before and after Katrina, but it is also a case study illustrating an ongoing problem and an innovative solution: survivors' stories should be shared in a way that includes their own engagement with the processes of narrative production, circulation, and reception. When survivors are seen as agents in their own stories, they will be seen as agents in their own recovery. Having a better grasp on the processes of narration and memory is critical for improved disaster response because the stories that are most widely shared about disaster determine how communities recover.

The Discourses of Environmental Collapse

Author: Alison E. Vogelaar
Publisher: Routledge
ISBN: 131544142X
Format: PDF, ePub, Docs
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In recent years, ‘environmental collapse’ has become an important way of framing and imagining environmental change and destruction, referencing issues such as climate change, species extinction and deteriorating ecosystems. Given its pervasiveness across disciplines and spheres, this edited volume articulates environmental collapse as a discursive phenomenon worthy of sustained critical attention. Building upon contemporary conversations in the fields of archaeology and the natural sciences, this volume coalesces, explores and critically evaluates the diverse array of literatures and imaginaries that constitute environmental collapse. The volume is divided into three sections— Doc- Collapse, Pop Collapse and Craft Collapse —that independently explore distinct modes of representing, and implicit attitudes toward, environmental collapse from the lenses of diverse fields of study including climate science and policy, cinema and photo journalism. Bringing together a broad range of topics and authors, this volume will be of great interest to scholars of environmental communication and environmental humanities.

This Book Contains Graphic Language

Author: Rocco Versaci
Publisher: Bloomsbury Academic
ISBN: 9780826428783
Format: PDF, ePub, Docs
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This Book Contains Graphic Language looks at different literary forms and genres—including journalism, fiction, memoirs, and film—in relation to their comic book counterparts. By demonstrating the ways in which comic books (and graphic novels) both reflect upon, and expand the boundaries of literature, Rocco Versaci demonstrates that comics have earned the right to be taken just as seriously as any other literary form. As comics and graphic novels become more popular than ever, literary critics are finding that they now have a new subject to examine. But while many advocates of the medium maintain that comics are a true art form, there have been no detailed comparisons among comics and "legitimate" types of literature. Filling this void, This Book Contains Graphic Language examines different literary forms in relation to their comic book counterparts. These literatures include prose memoir, Holocaust memoir, journalism, film, and-for lack of a better term-the "classics." Each richly-illustrated chapter outlines the key issues of one of these forms and then explores how comic books have been able to reflect and expand upon those issues in unique ways. The comics discussed include Eightball by Daniel Clowes, Love and Rockets by Jaime and Gilbert Hernandez, American Splendor by Harvey Pekar, Maus by Art Spiegelman, Palestine by Joe Sacco, Frontline Combat and Two-Fisted Tales from EC Comics, Sandman by Neil Gaiman and League of Extraordinary Gentlemen by Alan Moore. By examining the ways in which these and other comic books and graphic novels expand the boundaries of literature, English professor Rocco Versaci demonstrates that the medium of comics has earned the right to be regarded as an important artistic and literary form.

Furie

Author: Chelsea Cain
Publisher: Limes Verlag
ISBN: 3641128129
Format: PDF, Kindle
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Wer tot sein will, muss leiden ... ... und manchmal ist der Tod ein Geschenk! Zehn Tage war Detective Archie Sheridan in der Gewalt der Serienmörderin Gretchen Lowell. Zwei Jahre hat es gedauert, bis er sich von den Qualen seiner Gefangenschaft erholt hat. Doch frei ist er noch lange nicht. Regelmäßig muss er Gretchen im Gefängnis besuchen – auch an dem Tag, als er den Auftrag erhält einen Mädchenmörder in Portland, Oregon zu fassen. Sofort beginnt Gretchen ein neues Todesspiel zwischen Wahnsinn und Überleben ... 384 Seiten reiner Nervenkitzel und pure Hochspannung.

Das Leben und das Schreiben

Author: Stephen King
Publisher: Heyne Verlag
ISBN: 3641054001
Format: PDF, ePub, Docs
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„Ich schreibe so lange, wie der Leser davon überzeugt ist, in den Händen eines erstklassigen Wahnsinnigen zu sein.“ Stephen King Während der Genesung nach einem schweren Unfall schreibt Stephen King seine Memoiren – Leben und Schreiben sind eins. Ein unverzichtbarer Ratgeber für alle angehenden Schriftsteller und eine Fundgrube für alle, die mehr über den König des Horror-Genres erfahren wollen. Ein kluges und gleichzeitig packendes Buch über gelebte Literatur. »Eine Konfession.« Frankfurter Allgemeine Zeitung

Syncopated

Author: Brendan Burford
Publisher: Ballantine Group
ISBN: 0345544447
Format: PDF, ePub, Docs
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The stories in Syncopated challenge convention, provide perspective, and search out secret truths–all in the inviting, accessible form of comics. Syncopated will give you a daringly different view of the past–from the history of vintage postcards to the glory days of old Coney Island. It will immerse you in fascinating subcultures, from the secret world of graffiti artists to the chess champs of Greenwich Village. And it will open your eyes to pieces of forgotten history–for example, the Tulsa race riots of 1921–and to new perspectives on critical current events, such as the interrogation of prisoners at Guantánamo Bay. These “picto-essays” encompass memoir, history, journalism, and biography in varied visual styles–each handpicked by Brendan Burford, one of America’s top editors. Including: How and Why to Bale Hay by Nick Bertozzi Penny Sentiments by Rina Piccolo Boris Rose: Prisoner of Jazz by Brendan Burford and Jim Campbell Portfolio by Tricia Van den Bergh Father Figures by Josh Neufeld West Side Improvements by Alex Holden The Evening Hatch by Richard and Brian Haimes What We So Quietly Saw by Greg Cook “Like Hell I Will” by Nate Powell Welcome Home, Brave by Dave Kiersh The Sound of Jade by Sarah Glidden Subway Buskers by Victor Marchand Kerlow Erik Erikson by Paul Karasik Dvorak by Alec Longstreth A Coney Island Rumination by Paul Hoppe An Encounter with Richard Peterson by Brendan Burford

CIA

Author: Tim Weiner
Publisher: S. Fischer Verlag
ISBN: 3104010277
Format: PDF, Docs
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Zwielichtige Machenschaften wie Drogenhandel und Geldwäsche, Mordkomplotte, illegale Interventionen und Folter: Seit ihrer Gründung vor sechzig Jahren steht die CIA für viele dubiose Vorgänge beginnend mit dem Kalten Krieg bis zum heutigen »War on Terror«. Es gibt kaum eine Veränderung im Weltgeschehen der letzten Jahrzehnte, bei der die CIA nicht ihre Hände im Spiel hatte, ob in Südamerika, Vietnam oder Afghanistan... In zahlreichen Filmen und Thrillern wird sie als kühler, brillanter und allmächtiger Strippenzieher der Weltpolitik dargestellt. Doch das Gegenteil ist der Fall. Der zweifache Pulitzer-Preisträger Tim Weiner zeigt beängstigend und zugleich erstaunlich unterhaltsam, mit welcher Inkompetenz und Naivität der mächtigste Geheimdienst der Welt operiert. Unter anderem war man in Langley vom Fall der Sowjetunion völlig überrascht, hatte die Invasion in Kuwait übersehen und die Warnsignale vor dem 11. September ignoriert.