Female imperialism and national identity

Author: Katie Pickles
Publisher: Oxford University Press
ISBN: 1847795625
Format: PDF
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Through a study of the British Empire's largest women's patriotic organisation, formed in 1900, and still in existence, this book examines the relationship between female imperialism and national identity. It throws new light on women's involvement in imperialism; on the history of 'conservative' women's organisations; on women's interventions in debates concerning citizenship and national identity; and on the history of women in white settler societies. After placing the IODE (Imperial Order Daughters of the Empire) in the context of recent scholarly work in Canadian, gender, imperial history and post-colonial theory, the book follows the IODE's history through the twentieth century. Tracing the organisation into the postcolonial era, where previous imperial ideas are outmoded, it considers the transformation from patriotism to charity, and the turn to colonisation at home in the Canadian North.

Women and the Orange Order

Author: D MacPherson
Publisher: Oxford University Press
ISBN: 1526113562
Format: PDF, Kindle
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Women and the Orange Order examines the growth and activism of Orange women in England, Scotland and Canada since the mid-nineteenth century and argues that they were central to the development of Orange associational culture up to the Second World War. This study also explores how women were key participants in the formation of diasporic connections throughout the British world, building on links created by migration and the Empire. It reveals that the ordinary - and largely working-class - women who joined the Orange Order eagerly engaged in the public lives of their communities, in conservative politics and in upholding the ideologies of the British Empire. In its examination of gender, ethnicity, class and imperialism, Women and the Orange Order will appeal to readers interested in the history of the Irish diaspora, women's public activism and the British Empire.

A Great Rural Sisterhood

Author: Linda M. Ambrose
Publisher: University of Toronto Press
ISBN: 1442669020
Format: PDF, ePub
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As the founding president of the Associated Country Women of the World (ACWW), Madge Robertson Watt (1868–1948) turned imperialism on its head. During the First World War, Watt imported the “made-in-Canada” concept of Women’s Institutes – voluntary associations of rural women – to the British countryside. In the interwar years, she capitalized on the success of the Institutes to help create the ACWW, a global organization of rural women. A feminist imperialist and a liberal internationalist, Watt was central to the establishment of two organizations which remain active around the world today. In A Great Rural Sisterhood, Linda M. Ambrose uses a wealth of archival materials from both sides of the Atlantic to tell the story of Watt’s remarkable life, from her early years as a Toronto journalist to her retirement and memorialization after the Second World War.

A Companion to Feminist Geography

Author: Lise Nelson
Publisher: John Wiley & Sons
ISBN: 1405137363
Format: PDF
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A Companion to Feminist Geography captures the breadth and diversity of this vibrant and substantive field. Shows how feminist geography has changed the landscape of geographical inquiry and knowledge since the 1970s. Explores the diverse literatures that comprise feminist geography today. Showcases cutting-edge research by feminist geographers. Charts emerging areas of scholarship, such as the body and the nation. Contributions from 50 leading international scholars in the field. Each chapter can be read for its own distinctive contribution.

Female Embodiment and Subjectivity in the Modernist Novel

Author: Renée Dickinson
Publisher: Routledge
ISBN: 1136603522
Format: PDF
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This study considers the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual experimentation. Dickinson proposes that the ways Mrs. Dalloway, and The Waves by Virginia Woolf and Spleen and Fugue by Olive Moore reflect, expose and criticize physical, geographical and national bodies in the narrative and form of their texts reveal the authors’ attempts to try on new forms and experiment with new possibilities of female embodiment and subjectivity.

Shifting Centres

Author: Lyndon Fraser
Publisher: Otago University Press
ISBN: 9781877276323
Format: PDF, ePub, Mobi
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Three graduate students, several academics, and several researchers are the contributors to this collection of accounts by and about women immigrants to New Zealand. The stories, which mainly post-date World War II, consider the experiences of women from a variety of backgrounds and countries, including Germany, China, Samoa, Ireland, as well as native Maori migration from rural to urban centres.

Gatekeepers

Author: Franca Iacovetta
Publisher: Between the Lines(CA)
ISBN:
Format: PDF
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An in-depth study of European immigrants to Canada during the Cold War, Gatekeepers explores the interactions among these immigrants and the "gatekeepers"-mostly middle-class individuals and institutions whose definitions of citizenship significantly shaped the immigrant experience. Iacovetta's deft discussion examines how dominant bourgeois gender and Cold War ideologies of the day shaped attitudes towards new Canadians. She shows how the new comers themselves were significant actors who influenced Canadian culture and society, even as their own behaviour was being modified. Generously illustrated, Gatekeepers explores a side of Cold War history that has been left largely untapped. It offers a long overdue Canadian perspective on one of the defining eras of the last century. Click the 'Review Quote' link below to read reviews and endorsements of Gatekeepers

Cultural Identities and the Aesthetics of Britishness

Author: Dana Arnold
Publisher:
ISBN: 9780719067686
Format: PDF, Mobi
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This book examines British imperial, colonial and postcolonial national identities within their political and social contexts. By considering the export, adoption and creation of such cultural identities, these essays show how nationhood and nationalism are self-consciously defined tools designed to focus and inspire loyalty. The contributors present these ideas with particular reference to English cultural identity and its interaction with the "Empire". They examine the national, imperial and colonial aesthetic--how architecture, landscape, painting, sculpture and literature were used, appropriated and re-appropriated in the furtherance of social and political agendas, and how this impacted on the making of "Britishness" in all its complexities. It is demonstrated that not only did the dominant aesthetic culture reinforce the dominant political and social ideology, it also re-presented and re-constructed the notion of British national identity.