Noise Water Meat

Author: Douglas Kahn
Publisher: MIT Press
ISBN: 9780262112437
Format: PDF, ePub
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An interdisciplinary study of sound in the arts traces aural influences on literature, music, visual arts, theatre, and film, focusing on the work of innovators such as Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Yoko Ono, and others.

Handbuch Literatur Musik

Author: Nicola Gess
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110381117
Format: PDF, ePub, Mobi
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This handbook deals with basic questions about the relationship between literature and music, discusses theoretical models and current research topics, and provides a comprehensive historical overview of the many interfaces between these two art forms and their media.

After Sound

Author: G Douglas Barrett
Publisher: Bloomsbury Publishing USA
ISBN: 1501308092
Format: PDF, ePub
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After Sound considers contemporary art practices that reconceive music beyond the limitation of sound. This book is called After Sound because music and sound are, in Barrett's account, different entities. While musicology and sound art theory alike typically equate music with pure instrumental sound, or absolute music, Barrett posits music as an expanded field of artistic practice encompassing a range of different media and symbolic relationships. The works discussed in After Sound thus use performance, text scores, musical automata, video, social practice, and installation while they articulate a novel aesthetic space for a radically engaged musical practice. Coining the term "critical music," this book examines a diverse collection of art projects which intervene into specific political and philosophical conflicts by exploring music's unique historical forms. Through a series of intimate studies of artworks surveyed from the visual and performing arts of the past ten years-Pussy Riot, Ultra-red, Hong-Kai Wang, Peter Ablinger, Pauline Boudry and Renate Lorenz, and others-After Sound offers a significant revision to the way we think about music. The book as a whole offers a way out of one of the most vexing deadlocks of contemporary cultural criticism: the choice between a sound art effectively divorced from the formal-historical coordinates of musical practice and the hermetic music that dominates new music circles today.

The Cambridge Companion to Electronic Music

Author: Nick Collins
Publisher: Cambridge University Press
ISBN: 1107133556
Format: PDF, ePub, Docs
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Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrte and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

Helmholtz and the Modern Listener

Author: Benjamin Steege
Publisher: Cambridge University Press
ISBN: 1139510649
Format: PDF, Mobi
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The musical writings of scientist Hermann von Helmholtz (1821–94) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.

Empire of the senses

Author: David Howes
Publisher: Berg Publishers
ISBN: 9781859738580
Format: PDF, Kindle
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In Empire of the Sensesthe senses are considered as cultural systems. Bringing together classic pieces by key thinkers--from Marshall McLuhan and Alain Corbin to Susan Stewart and Oliver Sacks--as well as newly commissioned articles, this path-breaking book provides a comprehensive overview of the "sensual revolution," where all manner of disciplines converge. Its aim is to enhance our understanding of the role of the senses in history and across cultures by overturning the hegemony of vision in contemporary theory and demonstrating that all senses play a role in mediating cultural experience. It asks provocative questions that most of us take for granted. Are there, for example, only five senses, or is this assumption a Western construct? This radical contribution to revisioning cultural studies will be essential reading for anyone hoping to understand the full complexity of how we experience our world.