The Physics of Music and Color

Author: Leon Gunther
Publisher: Springer Science & Business Media
ISBN: 9781461405573
Format: PDF, Mobi
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The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed. The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.

Introduction to Light

Author: Gary Waldman
Publisher: Courier Corporation
ISBN: 9780486421186
Format: PDF, Mobi
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Designed for a nonmathematical undergraduate optics course addressed to art majors, this four-part treatment discusses the nature and manipulation of light, vision, and color. Questions at the end of each chapter help test comprehension of material, which is almost completely presented in a nonmathematical manner. 170 black-and-white illustrations. 1983 edition.

Why You Hear what You Hear

Author: Eric Johnson Heller
Publisher: Princeton University Press
ISBN: 0691148597
Format: PDF, Kindle
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Why You Hear What You Hear is the first book on the physics of sound for the nonspecialist to empower readers with a hands-on, ears-open approach that includes production, analysis, and perception of sound. The book makes possible a deep intuitive understanding of many aspects of sound, as opposed to the usual approach of mere description. This goal is aided by hundreds of original illustrations and examples, many of which the reader can reproduce and adjust using the same tools used by the author (e.g., very accessible applets for PC and Mac, and interactive web-based examples, simulations, and analysis tools will be found on the book's website: whyyouhearwhatyouhear.com.) Readers are positioned to build intuition by participating in discovery. This truly progressive introduction to sound engages and informs amateur and professional musicians, performers, teachers, sound engineers, students of many stripes, and indeed anyone interested in the auditory world. The book does not hesitate to follow entertaining and sometimes controversial side trips into the history and world of acoustics, reinforcing key concepts. You will discover how musical instruments really work, how pitch is perceived, and how sound can be amplified with no external power source. Sound is key to our lives, and is the most accessible portal to the vibratory universe. This book takes you there. The first book on sound to offer interactive tools, building conceptual understanding via an experiential approach Supplementary website (http://www.whyyouhearwhatyouhear.com) will provide Java, MAX, and other free, multiplatform, interactive graphical and sound applets Extensive selection of original exercises available on the web with solutions Nearly 400 full-color illustrations, many of simulations that students can do

Physics and Music

Author: Harvey E. White
Publisher: Courier Corporation
ISBN: 0486794008
Format: PDF, Docs
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Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics. More than 300 illustrations plus questions, problems, and projects.

The Physics Of Music

Author: Alexander Wood
Publisher: Read Books Ltd
ISBN: 1446549100
Format: PDF, Mobi
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The Physics of Music by ALEXANDER WOOD.PREFACE TO FIRST EDITION: I HOPE that this little book may serve as an introduction for some to the very interesting borderland between physics and music. It is a borderland in which the co-operation of musicians and physicists may have important results for the future of music. The typescript and proofs have been read by Miss Nancy Browne from the point of view of the general reader, and many obscure passages have been clarified. On the technical side I am indebted to Dr Pringle, who has read the proofs and given me valuable criticism and advice. Miss Cawkewell has helped me with the illustrations, Mr Cottingham has supplied the photographs for Figs. 1.7 to i. io, and my secretary. Miss Sindall, has been responsible for the typing and for the assembly and preparation of the material. Because of the help received from these and others the book is a much better book than it would otherwise have been. For its remaining imperfections I must take full

Principles of Musical Acoustics

Author: William M. Hartmann
Publisher: Springer Science & Business Media
ISBN: 1461467861
Format: PDF, ePub
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Principles of Musical Acoustics focuses on the basic principles in the science and technology of music. Musical examples and specific musical instruments demonstrate the principles. The book begins with a study of vibrations and waves, in that order. These topics constitute the basic physical properties of sound, one of two pillars supporting the science of musical acoustics. The second pillar is the human element, the physiological and psychological aspects of acoustical science. The perceptual topics include loudness, pitch, tone color, and localization of sound. With these two pillars in place, it is possible to go in a variety of directions. The book treats in turn, the topics of room acoustics, audio both analog and digital, broadcasting, and speech. It ends with chapters on the traditional musical instruments, organized by family. The mathematical level of this book assumes that the reader is familiar with elementary algebra. Trigonometric functions, logarithms and powers also appear in the book, but computational techniques are included as these concepts are introduced, and there is further technical help in appendices.

Physics in the Arts

Author: P.U.P.A. Gilbert
Publisher: Academic Press
ISBN: 0123918898
Format: PDF, ePub, Mobi
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Physics in the Arts is a concise, 328-page four-color entry in the Complementary Science Series, designed for science enthusiasts and liberal arts students requiring or desiring a well-developed discussion of physical phenomena, particularly with regard to sound and light. This book offers an alternative route to science literacy for those interested in the arts, music and photography. The material covered is at a level appropriate for self-study or as a complementary textbook. A typical course on sound and light for non-science majors covers the nature of sound and sound perception as well as important concepts and topics including light and light waves, reflection and refraction; lenses; the eye and the ear; photography; color and color vision; and additive color mixing; subtractive color mixing. There are also discussions on color generating mechanisms; periodic oscillations; simple harmonic motion; damped oscillations and resonance; vibration of strings; Fourier analysis; musical scales; and musical instruments. Problems with solutions are presented. For teaching purposes, all figures in the book as well as hints on how to build labs are provided at http://www.elsevierdirect.com/companion.jsp?ISBN=9780123918789. This book will be helpful to non-science students in courses related to the study of physics with light and sound. Offers an alternative route to science literacy for those interested in the arts, music and photography Popular science book with wide readership beyond the classroom at an accessible level Material covered at a level appropriate for self-study or as a complementary textbook For teaching purposes, all figures in the book as well as hints on how to build labs (including seven new labs in March 2012!)

Industrial Color Physics

Author: Georg A. Klein
Publisher: Springer Science & Business Media
ISBN: 1441911960
Format: PDF
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Colors arise only in the brain, normally originating from electromagnetic waves from the outside world. This book is based on courses given by the author in the Department of Colors, Paints and Plastics at the University of Applied Sciences in Stuttgart and continued at the University of Applied Sciences in Esslingen, Germany. The development of color physics in industry began in the middle of the 19th century with the large-scale manufacturing of natural colors. Since that time, a great variety of new, especially synthetic, colorants have been produced in order to meet increasing demands for non-self-luminous colors with regard to color applications. The rapid progress in color physics and accompanying applications over the last three decades are the reasons for this work. Here, the fundamentals of color physics are outlined and the most important recent developments and applications in the color industry are discussed. 1 In comparison to the ?rst German edition, all chapters of the book have been revised and expanded with regard to effect pigments. After the introd- tory chapter, the optical fundamentals of absorbing and effect colorants are discussed. The exceptional spectral and colorimetric properties of effect p- ments are detailed in combination with further characterizing parameters. Color spaces are presented as well as the ef?ciency of recent color difference f- mulas. In addition to the normal spectral measuring methods for absorbing colorants, modi?ed procedures for effect colorations are outlined.