The Rhetoric of Fiction

Author: Wayne C. Booth
Publisher: University of Chicago Press
ISBN: 0226065596
Format: PDF, ePub
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The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."

The Rhetoric of Fiction

Author: Wayne C. Booth
Publisher: University of Chicago Press
ISBN: 9780226065588
Format: PDF, Kindle
Download Now
The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."

The Rhetoric of Fiction

Author: Wayne C. Booth
Publisher:
ISBN: 9780140137361
Format: PDF, Docs
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How do novelists communicate with their readers and involve us with their characters? In this book, the author answers this question with analyses of many kinds of narrative - from Homer to Hemingway, from the Book of Job to James Joyce. He considers, for example, how Henry James uses unreliable narrators (who reveal far more than they are aware of), how Jane Austen controls our sympathy and judgement and how objective novelists such as Flaubert convey their beliefs and values as clearly as prophets like D.H.Lawrence.

Coming to Terms

Author: Seymour Benjamin Chatman
Publisher: Cornell University Press
ISBN: 9780801497360
Format: PDF, Mobi
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The Company We Keep

Author: Wayne C. Booth
Publisher: Univ of California Press
ISBN: 9780520062108
Format: PDF, ePub, Mobi
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In The Company We Keep, Wayne C. Booth argues for the relocation of ethics to the center of our engagement with literature. But the questions he asks are not confined to morality. Returning ethics to its root sense, Booth proposes that the ethical critic will be interested in any effect on the ethos, the total character or quality of tellers and listeners. Ethical criticism will risk talking about the quality of this particular encounter with this particular work. Yet it will give up the old hope for definitive judgments of "good" work and "bad." Rather it will be a conversation about many kinds of personal and social goods that fictions can serve or destroy. While not ignoring the consequences for conduct of engaging with powerful stories, it will attend to that more immediate topic, What happens to us as we read? Who am I, during the hours of reading or listening? What is the quality of the life I lead in the company of these would-be friends? Through a wide variety of periods and genres and scores of particular works, Booth pursues various metaphors for such engagements: "friendship with books," "the exchange of gifts," "the colonizing of worlds," "the constitution of commonwealths." He concludes with extended explorations of the ethical powers and potential dangers of works by Rabelais, D. H. Lawrence, Jane Austen, and Mark Twain.

A Rhetoric of Irony

Author: Wayne C. Booth
Publisher: University of Chicago Press
ISBN: 9780226065533
Format: PDF, ePub
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Excerpts from works by Defoe, Beckett, and other writings illuminated the progresses by which individuals perceive, interpret, and communicate deliberately ironic statements in speed and writing

The Rhetoric of RHETORIC

Author: Wayne C. Booth
Publisher: John Wiley & Sons
ISBN: 0470765828
Format: PDF, Mobi
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In this manifesto, distinguished critic Wayne Booth claims that communication in every corner of life can be improved if we study rhetoric closely. Written by Wayne Booth, author of the seminal book, The Rhetoric of Fiction (1961). Explores the consequences of bad rhetoric in education, in politics, and in the media. Investigates the possibility of reducing harmful conflict by practising a rhetoric that depends on deep listening by both sides.

Living to Tell about it

Author: James Phelan
Publisher: Cornell University Press
ISBN: 9780801442971
Format: PDF, Mobi
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Phelan's compelling readings cover important theoretical ground by introducing a valuable distinction between disclosure functions and narrator functions.

Modern Dogma and the Rhetoric of Assent

Author: Wayne C. Booth
Publisher: University of Chicago Press
ISBN: 9780226065724
Format: PDF, ePub, Docs
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When should I change my mind? What can I believe and what must I doubt? In this new "philosophy of good reasons" Wayne C. Booth exposes five dogmas of modernism that have too often inhibited efforts to answer these questions. Modern dogmas teach that "you cannot reason about values" and that "the job of thought is to doubt whatever can be doubted," and they leave those who accept them crippled in their efforts to think and talk together about whatever concerns them most. They have willed upon us a "befouled rhetorical climate" in which people are driven to two self-destructive extremes—defenders of reason becoming confined to ever narrower notions of logical or experimental proof and defenders of "values" becoming more and more irresponsible in trying to defend the heart, the gut, or the gonads. Booth traces the consequences of modernist assumptions through a wide range of inquiry and action: in politics, art, music, literature, and in personal efforts to find "identity" or a "self." In casting doubt on systematic doubt, the author finds that the dogmas are being questioned in almost every modern discipline. Suggesting that they be replaced with a rhetoric of "systematic assent," Booth discovers a vast, neglected reservoir of "good reasons"—many of them known to classical students of rhetoric, some still to be explored. These "good reasons" are here restored to intellectual respectability, suggesting the possibility of widespread new inquiry, in all fields, into the question, "When should I change my mind?"