Turn it Up

Author: Kim Karr
Publisher: Kim Karr
ISBN: 0988941988
Format: PDF, ePub, Mobi
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Follow Jasper Storm and Charlotte Lane as their epic love story continues to heat up the pages in this childhood friends to lovers romance that began in Set the Pace. Charlotte Lane was the tomboy who lived next door. Eyes the color of the summer sky. Mounds of curly blond hair. A little bit of sassy and a whole lot of sweet. She was my best friend. My confidant. My salvation. But when circumstances tore us apart, it put more than just miles between us. I hated her. Blamed her for my worst nightmare. And I never wanted to see her again. Then one wrong turn brought her back into my life and now she’s under my skin. In the midst of all the chaos surrounding us, she’s what’s changing me. Practically bringing me to my knees. Driving me to want to be a better man. But nothing is ever easy. And as our worlds begin to crumble…so do we. Our bond withstood the test of time, but when the future brings the unexpected, it will either draw us closer or tear us apart. Can we weather the storm?

The Musical as Drama

Author: Scott McMillin
Publisher: Princeton University Press
ISBN: 9780691127309
Format: PDF, ePub
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Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago. Critics and composers have long held the musical to the standards applied to opera, asserting that each piece should work together to create a seamless drama. But McMillin argues that the musical is a different form of theater, requiring the suspension of the plot for song. The musical's success lies not in the smoothness of unity, but in the crackle of difference. While disparate, the dancing, music, dialogue, and songs combine to explore different aspects of the action and the characters. Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today.

Motown Encyclopedia

Author: Graham Betts
Publisher: AC Publishing
ISBN: 1311441549
Format: PDF, ePub
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Motown means different things to different people. The mere mention of perhaps the most iconic record label in history is often enough to invoke memories and mental images of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Jackson 5, The Supremes and numerous others. With each group recalled, there is an accompanying piece of music of the mind, from Baby Love, My Girl, Signed Sealed Delivered, I Heard It Through The Grapevine, ABC and Tears Of A Clown and countless more. Quite often, you can ask people what kind of music they like and they will simply answer ‘Motown’, and both they, and you, know exactly what is meant. Or rather, what is implied. The Motown they are invariably thinking of is the label that dominated the charts in the mid 1960s with a succession of radio friendly, dance orientated hits, most of which were written and produced by the trio of Brian Holland, Lamont Dozier and Eddie Holland. This period is referred to, naturally enough, as the Golden Era, when Motown was not only the dominant force in its home city of Detroit but carried The Sound of Young America all around the world. The kind of music that had them Dancing In the Street from Los Angeles to London, Miami to Munich and San Francisco to Sydney. It was the kind of music that attracted scores of imitators; some good, some not so good. The kind of music that appealed to the public and presidents alike, and still does. It was that Motown that this book was intended to be about. However, when you start digging deeper into the Motown story, you realise that throughout its life (which, for the purposes of this book, is its formation in 1959 through to its sale in 1988) it was constantly trying other musical genres, looking to grab hits out of jazz, country, pop, rock, middle of the road and whatever else might be happening at the time. Of course it wasn’t particularly successful at some of the other genres, although those who claim Motown never did much in the rock market conveniently overlook the healthy sales figures achieved by Rare Earth, the group, and focus instead on the total sales achieved on Rare Earth, the label. This book, therefore, contains biographies of all 684 artists who had releases on Motown and their various imprints, as well as biographies of 16 musicians, 23 producers, 19 writers and 13 executives. There are also details of the 50 or so labels that Motown owned, licensed to or licensed from. All nine films and the 17 soundtracks are also featured. Every Motown single and album and EP that made the Top Ten of the pop charts in either the US or UK also have their own entries, with 222 singles, 84 albums and five EPs being featured. Finally, there are 36 other entries, covering such topics as the Hollywood Walk of Fame, the Motortown Revues, Grammy Awards and the most played Motown songs on radio. The 1,178 entries cover every aspect of Motown and more – of the link between Granny in The Beverly Hillbillies and Wonder Woman, of the artists from Abbey Tavern Singers to Zulema, and the hits from ABC to You Really Got A Hold On Me. The Motown Encyclopedia is the story of Motown Records; Yesterday, Today, Forever.

Billboard

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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Boogie Man

Author: Charles Shaar Murray
Publisher: Canongate Books
ISBN: 0857862049
Format: PDF, ePub, Mobi
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‘You the funkiest man alive.’ Miles Davis’ accolade was the perfect expression of John Lee Hooker’s apotheosis as blues superstar: recording with the likes of Van Morrison, Keith Richards and Carlos Santana; making TV commercials (Lee Jeans); appearing in films (The Blues Brothers); and even starring in Pete Townshend’s musical adaptation of Ted Hughes’ story The Iron Man. His was an extraordinary life. Born in the American deep south, he moved to Detroit and then, in a career spanning over fifty years, recorded hypnotic blues classics such as ‘Boogie Chillen’, rhythm-and-blues anthems such as ‘Dimples’ and ‘Boom Boom’ and, in his final, glorious renaissance, the Grammy-winning album The Healer. Charles Shaar Murray’s authoritative biography vividly, and often in John Lee Hooker’s own words, does magnificent justice to the man and his music.