World Cinemas Transnational Perspectives

Author: Nataša Durovicová
Publisher: Routledge
ISBN: 1135869987
Format: PDF, ePub
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SCMS Award Winner "Best Edited Collection" The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.

Transnational Cinema

Author: Elizabeth Ezra
Publisher: Taylor & Francis
ISBN: 9780415371582
Format: PDF
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Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema. Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. The reader is divided into four sections: From National to Transnational Cinema Global Cinema in the Digital Age Motion Pictures: Film, Migration and Diaspora Tourists and Terrorists.

Theorizing World Cinema

Author: Lucia Nagib
Publisher: I.B.Tauris
ISBN: 1848854935
Format: PDF
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This textbook for studies in the field re-places world cinema in the cultural imagery. It also repositions world cinema in a wider discursive space than hitherto and treats it as an object of theoretical enquiry, rather than as a commercial label.

Cinema and Nation

Author: Associate Professor of English Mette Hjort
Publisher: Routledge
ISBN: 1134618840
Format: PDF, Mobi
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Ideas of national identity, nationalism and transnationalism are now a central feature of contemporary film studies, as well as primary concerns for film-makers themselves. Embracing a range of national cinemas including Scotland, Poland, France, Turkey, Indonesia, India, Germany and America, Cinema and Nation considers the ways in which film production and reception are shaped by ideas of national belonging and examines the implications of globalisation for the concept of national cinema. In the first three Parts, contributors explore sociological approaches to nationalism, challenge the established definitions of 'national cinema', and consider the ways in which states - from the old Soviet Union to contemporary Scotland - aim to create a national culture through cinema. The final two Parts address the diverse strategies involved in the production of national cinema and consider how images of the nation are used and understood by audiences both at home and abroad.

Goodbye Cinema Hello Cinephilia

Author: Jonathan Rosenbaum
Publisher: University of Chicago Press
ISBN: 0226726657
Format: PDF, ePub, Mobi
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The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe’s intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and multi-faceted talent. Goodbye Cinema, Hello Cinephilia gathers together over fifty examples of Rosenbaum’s criticism from the past four decades, each of which demonstrates his passion for the way we view movies, as well as how we write about them. Charting our changing concerns with the interconnected issues that surround video, DVDs, the Internet, and new media, the writings collected here also highlight Rosenbaum’s polemics concerning the digital age. From the rediscovery and recirculation of classic films, to the social and aesthetic impact of technological changes, Rosenbaum doesn’t disappoint in assembling a magisterial cast of little-known filmmakers as well as the familiar faces and iconic names that have helped to define our era. As we move into this new decade of moviegoing—one in which Hollywood will continue to feel the shockwaves of the digital age—Jonathan Rosenbaum remains a valuable guide. Goodbye Cinema, Hello Cinephilia is a consummate collection of his work, not simply for fans of this seminal critic, but for all those open to the wide variety of films he embraces and helps us to elucidate.

Transnational Cinema

Author: Steven Rawle
Publisher: Palgrave
ISBN: 1137530146
Format: PDF
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This book provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analyzing films about migrant, cross-cultural and cross-border experience, as well as looking at how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel, Steven Rawle brings together the key concepts and theories of transnational cinema. This includes genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact. It provides students and lovers of film with a strong grounding in this most recent and timely field of film studies.

Slapstick Comedy

Author: Tom Paulus
Publisher: Routledge
ISBN: 1135966230
Format: PDF, ePub
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From Chaplin’s tramp to the Bathing Beauties, from madcap chases to skyscraper perils, slapstick comedy supplied many of the most enduring icons of American cinema in the silent era. This collection of fourteen essays by prominent film scholars challenges longstanding critical dogma and offers new conceptual frameworks for thinking about silent comedy’s place in film history and American culture. The contributors discuss a broad range of topics including the contested theatrical or cinematic origins of slapstick; the comic spectacle of crazy technology and trick stunts; the filmmakers who shaped the style of early slapstick; and comedy’s implications for theories of film form and spectatorship. This volume is essential reading for anyone seeking to understand the origins and continued importance of a film genre at the heart of American cinema from its earliest days to today.

Framing the World

Author: Paula Willoquet-Maricondi
Publisher: University of Virginia Press
ISBN: 0813930057
Format: PDF
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Teaching Transnational Cinema

Author: Katarzyna Marciniak
Publisher: Routledge
ISBN: 1317401069
Format: PDF, ePub
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This collection of essays offers a pioneering analysis of the political and conceptual complexities of teaching transnational cinema in university classrooms around the world. In their exploration of a wide range of films from different national and regional contexts, contributors reflect on the practical and pedagogical challenges of teaching about immigrant identities, transnational encounters, foreignness, cosmopolitanism and citizenship, terrorism, border politics, legality and race. Probing the value of cinema in interdisciplinary academic study and the changing strategies and philosophies of teaching in the university, this volume positions itself at the cutting edge of transnational film studies.

Ecologies of the Moving Image

Author: Adrian J. Ivakhiv
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589061
Format: PDF, Docs
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This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.